Seven years after the death of his wife, widower Shigeharu seeks advice on how to find a new wife from a colleague. Taking advantage of their position as a film company, they stage an audition. Interviewing a series of women, Shigeharu is enchanted by the quiet Asami. But soon things take a twisted turn as Asami isn’t what she seems to be.
Seven years after the death of his wife, widower Shigeharu seeks advice on how to find a new wife from a colleague. Taking advantage of their position as a film company, they stage an audition. Interviewing a series of women, Shigeharu is enchanted by the quiet Asami. But soon things take a twisted turn as Asami isn’t what she seems to be.
Reviewhappy birthday to me. decided to watch something from 1999 and ended up w this one. had incredibly high expectations sadly as i have heard good things and loooove french new extremity (and respect balkan shock cinema) so I figured the asian extreme era would be right up my ally. this one wasn't but I'm still gonna give miike and the era another try. this one was boring, mostly, felt very tame with its character building, a bit dried up theme-wise and just not really my thing. surely must be…
Review[5.9/10] What the fuck did I just watch?
I’m not sure I have ever seen a movie that spent so much of its runtime in a state of utter, indulgent doldrums, only to break into some mindfuck-worthy, elliptical horror that almost makes the overextended windup feel worth it, only to devolve into disturbing torture porn for the bulk of its final bow.
What the hell is this movie? It is *Hard Candy* on crack. It is *You’ve Got Mail* by way of David Lynch. It is *Hostel* for the #MeToo set. *Audition*…
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