The soundtrack of Discrepancy, read by the computer voice “Alex,” is adapted from the film Traité de bave et d’éternité (1951) by Isidore Isou. The film is Isou’s manifesto of cinéma discrepant. The fundamental principle of “discrepant cinema” is a disregard of the image in order to privilege written narration. There is no attempt to illustrate the text. The relation of sound and image can—indeed, should—be as arbitrary and opaque... see more