In "Bachdisc", Downey constructs a sophisticated fusion of the classical and the technological, merging the labyrinthine technology of the interactive laserdisc with the intricate, delicately intertwined structure of a Bach fugue and his own nonlinear compositional strategies. Using a performance of Bach's Fugue #24 in B Minor by harpsichordist Elaine Camparone as the work's structural foundation, he manipulates the initial musical theme in twelve successive "chapters" that distill the fugue
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