Figuring Grounds – like Tale Enclosure, 1985 – was edited from three hours of recordings made at the Stained Glass Studio in Barrytown, New York, where Hill’s Why Do Things Get in a Muddle? (Come On Petunia), 1984, was also taped. Facing one another, Quasha and Stein begin vocalizing from the very grain of language, and the improvisational search for voices passes through recognizable swarms of phonemes with a possible... see more