A stripped-down visual sonata, in which elements of Lange's habitual cinematic universe (wall, wasteland, city square, cars ...) are captured by a camera more 'documentary' than demiurgic (as opposed to the transformation of energy and vision to be found in his later films).The filmic process used is, however, no less rigorous. Urban prison transportation was filmed from the inside of a moving vehicle and is composed of lateral travelling shots,
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