In Pindell’s poignant work, Free, White and 21 (1980) the artist uses performance and caricature to narrate her personal experiences of racism. The film alternates between Pindell recounting her stories and a caricature of a young white woman who rebukes Pindell for her ungrateful and paranoid statements. In criticizing the expectations and stereotypes imposed on a female, black artist, Pindell’s work can also been seen as a contribution to a... see more