A sequel of his previous 1967 homonymous experiment, Doppler Effect II moves one step forward in the mission of organising seemingly random stock footage along a rhythmical axis. By using found footage of diverse origin - political announcements, animal life, porn - and intertwining it with images recorded by Agnew himself-- cityscapes, abstract light essays-- the film abandons any attempt of evoking meaning of any sort and focuses on a... see more