"No filmmaker of the 1980s knew as much as Phil Solomon of affirming the importance of multiple layers in the visual production of images. Solomon perpetuates the Brakhagian tradition of creating a succession of images whose logic comes from a large number of rhythmic sources, formal, associative, and whose coherence passes from one source to another. Here, as with Brakhage, one must be spoiled in the trance offered by Solomon,
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