Longhorns is cine-dance with a surrealist tang. There are no human figures in this early short from Hilary Harris, only a pair of Texas longhorns turning endless spirals in the tall reeds of a New York inlet. The strangeness of this scene abstracts the horns’ mesmerizing rotation, the better for Harris to explore the choreographic possibilities of cutting and framing (Cyril Jackson’s propulsive drum score provides the beat). Harris was
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