An off-screen narrator and nine talking heads make the case for Harry Langdon being ranked just below Chaplin, Keaton, and Lloyd as a fine movie comedian. They celebrate his slowed-down style as original and, later, influential. They take issue with Frank Capra's assessment of Langdon's small talent and large ego, suggesting instead that the villain in Langdon's rapid fall may well have been his second wife. Langdon's story is told... see more