The project’s primary film installation features five of Eshkol’s dances, each of which is staged among different groupings of Eshkol’s wall carpets and projected onto a rectangular volume. Together with dancers from Eshkol’s group, Lockhart chose carpets based on shapes that complement each dance, mounted them to rectangular volumes similar to those onto which the five channels of the film are to be projected, and arranged the volumes within each... see more