Cinema was originally silent. But was it truly silent? Then sound came along and changed the way we see, understand and create images. A true lesson in philosophical and aesthetic cinema freely conducted by the director, Clichés et ramasse-miettes invites us to rediscover our relationship with sound and our conception of the vraisemblance of sound, through fragments taken from works by Henri-Cartier Bresson, Jean-Luc Godard, philosopher Georges Didi-Huberman and others.... see more