In 2020, director Andrei Natotsinsky arrived in Sukhum, and the city greeted him with darkness: no lanterns were lit on the central square or around it. After learning that rolling blackouts are associated with cryptominers, who were attracted to Abkhazia by cheap electricity, Natotsinsky returned with a film crew. To figure out how the contrast between the active mining of cryptocurrency and the general devastation framed by wild landscapes works,
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