Sky Lines is a formalist film that evokes, via repetition and an extreme sound design, a death driven fear of nothingness, of the end of things. As formal sets of choreographed lines slowly dance across the screen, space and perception alter continuously and a sense of suspense and instability manifests itself. In Nadine Poulain’s film ‘Sky Lines’ the awful is not seen, but the sensational Lucifer is there nonetheless. He
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