Powerful and poignant, Her Name is Nanny Nellie offers us the rare privilege of bearing witness to a family reclaiming their history. In 1925, the Australian Museum commissioned three statues of ‘full blood ’Aboriginal people: a child, a man and a woman, exhibited as nameless objects to be studied as examples of a ‘dying race.’ The woman was Nellie Walker, Irene Walker’s great grandmother and director Daniel King’s great, great
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