“How should we describe a work such as TU, SEMPRE by Yann Beauvais? Visually, it consists of roughly 40 minutes of videotext in movement and arrest, largely white text varying in size on a black background, interspersed with a small number of images; its audio is a dirge of drone music by Thomas Köner punctuated by voice-overs by several individuals, sometimes one at a time, sometimes several at once. Text... see more