For more than thirty years, film director Heinz Peter Schwerfel has been observing the German-born painter and sculptor Georg Baselitz in interviews and studio visits. This film was his first television appearance, where the nonconformist artist gives a well-prepared performance with provocative statements and surprising explanations of his work: the rejection of the abstract painting of the 1950s, the reversal of his portraits, which are painted upside down, and his
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