Early on, Ugo Ulive, with his short film Como el Uruguay no hay (1960), seeks to raise awareness and involve the viewer in political action and its radical transformation. Through a collage of animations, archival footage and a counterpoint sound montage, Ulive attacks traditional left-wing and right-wing politics and exposes the contradictions of a pillar of national identity: Uruguay's famous democracy. Note that we are in 1960 and while the... see more