BECAUSE THE REST IS SILENCE reconfigures aspects of Kötting’s previous moving image works, which focus on the idea of place. But perhaps more importantly the potential for temporal disjunction, memory, misremembrance and the persistence of the past within much of his work. An hauntological gadabout inclusive of images and out-takes from his journeying and the films EDITH WALKS, GALLIVANT, LEK AND THE DOGS & WATLING STREET. However, the glue that
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