Elizabeth Freestone's production of Sheridan's classic is a long way from the lace wristbands and fussily flourished bows that used to be conventional for eighteenth-century revivals. Using the same permanent setting as the production of Doctor Faustus with which it plays in repertoire, plus a traverse curtain for front scenes and the addition of some piles of newspapers on top of its bookcases and some splayed pages down by the... see more