No other adjective fits this little and delicious essay on Alpine landscapes and tourists that rest thereabout from the year‘s commotion. Bady Minck works with disposable material — old pictures and postcards — and builds with it a monument to touristic kitsch, using all digital technology available as if it were a rejuvenating system for memories. The result is hypnotic and absurdly beautiful, at the same time as it reveals... see more