A furious scene, virtuously reassembled, continuously intensifying, yet never moving. A brief excerpt from Charlie Chaplin’s 'The Floorwalker' (1916) serves as starting sequence for 'Intermezzo'. Chaplin, fleeing from a monstrous pursuer, down an up escalator, which at the time was the epitome of techno mechanical modernity; on the side, a mannequin as statuary counterpoint. Pfaffenbichler arranges the takes that he has pulled from the original film, enlarged, and in part,... see more