BACK TO 2069 looks at the eroded landscape of the Greek militarized Aegean island Lemnos, a political space where a myth meets contemporary concerns upon the relation of virtual and real image production. There a solitary man shape-shifts from argonaut to avatar through various hallucinations, experiencing different states of embodiment and disembodiment. Although he exiled himself from Athens to escape the crisis, past and future scenarios of conflict are gradually
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