'Kiss' (2009), which concentrates on one of the gestures most intrinsic to cinematic language: the kiss. The work is filmed as an uncut ten-minute observation of a seemingly endless kiss on the top deck of a London double-decker bus. Disengaged from their immediate environment, a young couple begins an intimate game of desire. Over the course of the film their exchange of embraces gathers intensity, growing increasingly passionate and demanding.
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