What kind of futures can be read in the impersonal fragments of our reality? It’s a question that inevitably gains attention and importance when it’s posed to those who the future, pre-eminently, belongs to. Already in her debut film, Little Figures (2003), Sarah Vanagt gauged the historical imagination of children by inviting immigrant children to improvise an imaginary conversation between three historical figures, immortalized as statues, in Brussels. Fifteen years... see more