Video artist meets a handsome and enigmatic Marlboro Man; video artist gets a sexually transmitted disease. In a wry and pointed work that’s part Ibsen and part Danielle Steele, Vanalyne Green reworks the sex-education film to take a critical look at cherished stereotypes about romance, the American West, and cowboys. Expanding on a body of work that investigates the idea that public spaces are gendered, Green revisits the myth of
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