Francesco Bertolini, Adolfo Padovan and Giuseppe De Liguoro’s L’inferno (1911), a Doré-inspired visualisation of the eponymous first canticle in Dante Alighieri’s Divina Commedia (1320), is commonly considered to be Italy’s first feature-length film – and also the first local attempt at making something that, in the eyes of a bourgeois audience, would be accepted as having artistic value. Stephen Broomer, now takes the complete film and re-works it by all... see more