In Chinese Ink, composed from a series of shots taken with an iPhone, Salhab expands questions of location and the act of filmmaking itself. Some images were captured in the moment ‘without quite knowing why’, and others were filmed at an earlier time ‘with no apparent motive’ or as a result of specific circumstances. Salhab jotted down notes all along, excerpts from books he read or reread, sounds he recorded... see more