A Picture of Us
In 2010 with the full-length film X+, Marylène Negro takes up a new dimension of human experience : the collectivity. "A Picture of Us". What are the aggregating forces that bring forth this drive - brusque or slow, woven from facts, simplifications and resonances that we can call, always approximately, collective history ? The cinema relentlessly records silhouettes, groups, crowds, masses - fleeting passers-by of a period they are going
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