Irreverent city engineer Behzad comes to a rural Kurdish village in Iran to keep vigil for a dying relative. In the meanwhile the film follows his efforts to fit in with the local community and how he changes his own attitudes as a result.
Irreverent city engineer Behzad comes to a rural Kurdish village in Iran to keep vigil for a dying relative. In the meanwhile the film follows his efforts to fit in with the local community and how he changes his own attitudes as a result.
More than anything, "The Wind will carry us" is Kiarostami's love letter to the dualities in life: the ancient and the modern, the old and the young, poetic and prosaic, rural and urban, and finally life and death.
I don't wanna talk much about a movie that doesn't like words. I'm just gonna sit back and let my eyes be ravished by the beauty of Abbas Kiarostami's mind.
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