On a mission to define friendship, Filippo Filliger weaves together, like a Chinese portrait, objects, memories, and affection. A fine gesture, simultaneously generous and modest, which is successful in approaching and translating an intangible matter; that which even sometimes manifests itself in the mere obviousness of its existence. Although feelings cannot be represented, they may at least be invoked, such as the figure of the synecdoche—one part to skim over... see more