Chamberlain, Mussolini and their aides attend a 1938 performance of Macbeth in Rome. This audience is itself made into the raw material of opera. The site of the negotiations between Chamberlain and Hitler, which resulted in the invasion of Czechoslovakia, is diagrammed, and Chamberlain and his aides are charged with lack of fantasy, a fatal flaw. Meanwhile, in September 1939 a Nazi officer's happy love story is interrupted only to... see more