In late 1958, Hollywood's most famous swashbuckler, Errol Flynn, found himself in the middle of a real-life adventure more improbable than the plot of any film he ever made: the Cuban revolution. It was a fitting climax to mid-20th century Cuba's obsession with American movies - a fixation that led Havana to boast of more movie theatres than New York City and Cubans to worship Gone with the Wind and... see more