The film “Kobro / Strzemiński. A Fantastic Tale” enters into a dialogue with biographism as a method of interpreting art, while also showing that it is impossible to escape biographism entirely. Its creators recognize the value in the attitude of avant-garde artists, which lay in overcoming life’s adversities and pushing their imagination beyond what others consider an insurmountable horizon. In this film, nothing is as it actually happened—and this not-happening
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