Few operas have enjoyed such an enviable fate as Gounod's Faust. Well received at its premiere, followed by international success, which still makes it the most performed French opera in the world today, just behind Carmen. But should we take this Faust literally? Or should we see it, in the twist of the fable, as a celebration of pleasures? The audience can enjoy all the excesses, intoxicated by the music...... see more